The story of the last years of the great monarch, Peter. He appears sick, lonely, and very concerned about those who leave their country. He wants to marry a princess before he will die, so that the throne will be secured for the future monarch. His companions, loyal before, are now only concerned about their own future and their future fate, after the death of the emperor. Who will get Russia and what will happen to the country after the death of the beloved Emperor?

In 1979 Tarkovsky began the production of the film The First Day (Russian: Первый День Pervyj Dyen′), based on a script b y his friend and long-term collaborator Andrei Konchalovsky. The film was set in 18th-century Russia during the reign of Peter the Great and starred Natalya Bondarchuk and Anatoli Papanov. To get the project approved by Goskino, Tarkovsky submitted a script that was different from the original script, omitting several scenes that were critical of the official atheism in the Soviet Union. After shooting roughly half of the film the project was stopped by Goskino after it became apparent that the film differed from the script submitted to the censors. Tarkovsky was reportedly infuriated by this interruption and destroyed most of the film.

In this 1999 documentary, which took three years to shoot, director Jan Mudra reveals Hapka's obsession with creativity, his incredible energy, and his abundance of ideas. He recalls his family background, his studies at the acting conservatory, and his first roles in Czech films. Petr Hapka began his career as a composer in the 1960s. Even then, he began writing for Hana Hegerová, with whom, as he says, he entered into a musical marriage that continues to this day. In the film, his three main lyricists—Petr Rada, Zdeněk Rytíř, and Michal Horáček—recall their work with Hapka. Many viewers may be surprised to learn that Petr Hapka also composed the music for three famous plays by the Divadlo Za branou theater: Provaz o jednom konci (A Rope with One End), Zelený papoušek (The Green Parrot), and Hodina lásky (The Hour of Love), as recalled in the film by director Otomar Krejča. He also composed the music for several films.

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This film is based on a story against violence shown in a rural background. This message is shown in a short graphic format as an introduction to the film.

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